Skip to main content

Badami Group of Temples – Bagalkot Heritage Drive - Day 2


Bagalkot Heritage Drive - Day 2 – Badami Group of Temples

By 5.45 pm we left the Badami caves & started towards the Museum which was on the opposite side of the caves, it is around 1.5 km for us, but as per Google maps it is around 1km. Though it is only about half a km from the caves but there are no proper roads to reach here, Government has failed a bit here in claiming some land & protecting the road to these places, we had to struggle a lot to make way for our Innova, as the road is so narrow that even if there is another vehicle on the other side one of us must have to reverse the car back to the road, but luckily no other vehicle came in the opposite direction till we reached the fort gate.
Also there are a few temples which reside inside the town with all the houses in the town surrounding the temples which has a history of over 1500yrs. I felt there should be a protected area around the temple at least to protect it from being encroached. Due to the roads being very narrow & very less awareness of the places on the other side of the cave temples, most of the tourists go unnoticed after visiting the cave temples.

Apart from the four cave temples, Badami temples also include a number of other temples including Dattatreya Temple, Bhoothanatha temple Complex (Lower), Upper Bhoothanatha Temple or the Mallikarjuna group of temples, Lower Shivalaya Temple, Upper Shivalaya Temple, Malegitti Shivalaya Temple. Badami Museum also lies part of the other side of the Agasthya lake.

One has to go through the town market area to reach the fort gate, once you reach the fort gate there is the Badami archaeological Museum, which was already closed as it was around 6 pm, we further drove till the Mallikarjuna temple & again that was also closed, I wonder why even the compound gates were also locked so didn't get an opportunity to even see the temple walls from close.
Lower Bhoothanatha temple
Mallikarjuna group of temples: built in 11th century A.D, also called Upper Bhoothanatha Temple, has a stepped superstructure, commonly found in Kalyani Chalukyan constructions. Constructed in Oriya style as compared to the Dravidian style of Lower Bhoothanatha temples. The temples are located on the northeast side of the Agasthya tank. Their typical Late Chalukyan features include plain walls, angled eaves over the mandapa's, and pyramidal towers with deeply carved and closely spaced horizontal courses.
Front view of Mallikarjuna temple
Mallikarjuna group of temples
The other noteworthy places to visit in Badami are the Badami Fort and the Archaeological Museum.

Archaeological Museum: The museum is opened to public from 10am to 5pm & is closed on Friday’s. It contains beautiful sculptures from the caves & rock cut temples which are worth seeing. The sculpture gallery is maintained by the Archaeological Survey of India on the Bhoothanatha Temple Road.
Badami Museum
We then parked the vehicle & started to walk along the lake side of Agasthya tank to reach the Bhoothanatha temple complex; it was during the sunset & had some breathtaking scenery of the Agasthya Lake & the sky colored after the sun set.

Agasthya Lake: this is a large water body framed at the center of the Badami fort surrounded by the red sandstone hills. To the north of the tank lies the Museum, Shivalaya temples & the Mallikarjuna temple complex, to the south is the four cave temples, to the east is the Lower Bhoothanatha temple complex, and to the west is the Dattatreya temple and the Badami town. Towards the north, west and east sides of the tank are built steps with red sand stones making it look more beautiful.
Agasthya lake as seen from Upper bhoothanatha temple, the cave temples are visible on the rocks
View of the lake during sunset
Bhoothanatha temples were also locked but had the opportunity to walk around the temple walls.

Bhoothanatha Temple Complex (Lower): built between late 7th century & 11th century. The temple platform extends into the east end of the Agasthya tank, in a delightfully picturesque setting. The sanctuary and inner hall are Early Chalukyan; the outer hall overlooking the tank is Late Chalukyan.
View of Lower Boothanatha temple from upper bhoothanatha temple
Bhoothanatha temple facing the Agasthya lake
Lower Bhoothanatha Temple
Then proceeded behind the temple as there was a walk way leading behind, just was curious to see where it leads to, but none of them followed me, as it was already dark, so thought to go alone and felt I was not mislead after seeing some rock carvings on the route, which made me more curious to continue the way & saw someone calling my name from behind, & it was our team members, they just followed me without my notice as they felt it was dark and unsafe to go to remote places like this.
sculptures on the rocks behind the Bhoothanatha temple
I finally ended seeing some cave and didn't even felt to enter inside as it was very small and didn't attract me so just took some more snaps of the colored sky above the Agasthya lake in almost dark.
Beautiful landscape painted after sun set
Later just felt to enter the cave to see total darkness & put the torch on from my phone & was surprised to see a sculpture of Vishnu inside the cave, & then felt that the day was ended with an amazement. This cave is behind the Bhoothanatha group of temples it houses a sculpture of Lord Vishnu sleeping on Ananta & attended by Lakshmi.
Cave temple of Vishnu behind the Bhoothanatha temple, Sculpture of Lord Vishnu sleeping on Anantha
Some more pics of the sunset with different exposures and locations,



Then started returning back quickly to the parking area, it was dark and no one around in this place, felt a bit unsafe after sunset in these places. It was around 7 pm by the time we left the place & started back to our hotel in Kudala Sangama, on the way we just took some chances on the route shown by the Google maps navigation, as it showed a shorter way to reach the Hotel, but Google didn't disappoint us even though the route was so remote that there were no villages for almost an hour of drive, but we reached our destination without any hassle. It was almost 2 hour drive to cover the 65 km through the village roads. We had our dinner at Kamat, Kudala Sangama & ended our day.

Before I take you to the day 3 - Kudala Sangama travelogue, here are few more temples which we had a glance from far away through my 250 mm lens, reason being we need at least half a day to cover these temples as one has to climb up the hill to visit these places, definitely I'm going to visit them in my next visit.

Malegitti Shivalaya: There are many temples at Badami of which Malegitti Shivalaya is significant from many points of view. Perhaps with the association of a woman who was a garland maker, this temple should have got that name. The very location of this temple is enchanting. It is built on a spur of the rugged hills which overlook the town of Badami. It is important from the evolution of the Chalukyan style of architecture. It represents a stage of Chalukyan art. It is a good example where the domical finial is octagonal & is supported by a series of small shrines. The tower above the garbhagriha is a typical Dravidian Shikhara. This temple is dated to the 7th century A.D. It is perhaps the oldest temple & also the finest in Badami apart from the cave temples.
Malegitti Shivalaya temple
Yellamma Temple: built in 11th century A.D, This Late Chalukyan temple, located at the west end of the tank, is notable for its tower, whose crimpled and layered roof describes a shape halfway between the curved Shikhara of North India and the pancake pyramids of the south. The sanctuary's outer wall lifts the roof upon a fabric of verticality, achieved by the single-minded division of its projections into a dense forest of tall, slender, closely-spaced, and delicately engaged pilasters
Yellamma Temple
Upper & Lower Shivalaya Temples: Up in the hills behind the Archaeological Museum lies a Chalukyan temple, Upper Shivalaya. It is situated on the tip of a natural gorge. Built by Pulakeshi II who was a devout follower of Lord Vishnu, it is capped by a Dravidian pyramidal tower. A little further down is the Lower Shivalaya. It is dedicated to Lord Ganesha. The lower Shivalaya has a Dravidian tower, and only the sanctum remains now.
Upper Shivalaya temple
Lower Shivalaya temple
Few more pics of the surroundings at Badami,
This must be watch towers on top of the rocks
One more temple almost encroached in the heart of the town surrounded by the homes.


Bagalkot Heritage Drive - Day 3 – Kudala Sangama … to be continued….



Comments

Popular posts from this blog

Micromax Canvas 2 A110 Hands on Review

Micromax Superfone Canvas 2 A110(Jet Black/Calm White): After using it for a week, I felt pretty good about my decision for going with a new brand like Micromax over the mighty Samsung Galaxy S Duos and Sony Tipo Dual. Particularly not sure about its reliability but the build quality looks pretty decent. Below are my ratings for the phone aka Phablet. Build Quality (8/10): The build quality was above my expectations keeping in mind of the price tag, from front it looks just like a Galaxy high end smartphone like SIII or Note II. It has a matte finished back cover which is good for protection towards scratches and there is a metal casing all around the phone, which adds up the beauty of the phone. One more advantage of this phone is it has a touch home button instead of a hard button as seen in iPhone and Galaxy phones. Camera (5/10): [8MP autofocus (Tap to Focus), dual flash, supports up to 3264x2448 pixels, Panorama] Don't fall for the specs as it is said...

Interiors of Chennakeshava temple, Belur

Interiors of Belur Chennakeshava temple: Originally the interior received much daylight, but the added screens make it dark and mysterious. The interior of the temple consisting of a garbhagriha, Sukhanasi, navaranga and a mandapa takes us to a new world of sculptures with lathe turned pillars of various designs. The central square of the navaranga has four pillars decorated with bracket figures atop. These bracket figures are remarkably of superior workmanship in conception and execution. The Navaranga has raised verandah's on both sides of the three entrances. Sufficient space has been left out in the central hall (Navaranga) for musical performances and Puja (worship) ceremonies by large numbers of devotees and others. Sculptures on the entrance of Garbhagriha Pillars: There are a total of 48 pillars, while the four central pillars have been hand churned, the others had been lathe turned.  One of the four Pillar's at the central square of the ...

Madanikas of Belur Chennakeshava temple

Madanikas of Belur Chennakeshava temple: Most popular feature of Belur is its Shilabalike’s or the Bracket figures of different dance forms. Various poses of Madanika's at the Belur Chennakeshava temple. There are 42 Madanikas or Bracket figures on the corner out of which 38 are outside the temple and four are inside the temple. Each figure attracts on its own merits. They represent beautiful damsels in various moods representing feminine charm and grace, this perhaps are one of the best creations of the Hoysala sculptors of the Belur temple. There are a total of 40 pillars on the outer walls, each with a bracket figure of dancing girls (38 in total on outer walls). These sculptures are finely proportioned and exceedingly ornamented. Actual placement of the Madanika's op top of the columns Out of the 38 Madanikas on the outer walls, I've written a photologue on 25 and all the 4 interior Madanikas. Each one of these Madaniks are given a number to r...

How to update Micromax canvas 2 A110 with official Jelly Bean V3 - detailed steps

How to update Micromax A110 Canvas 2 to V3 ROM: I've just updated my canvas 2 to Jelly Bean official update from Micromax. Before you proceed I would like to make sure that this site is nowhere guaranteed for your successful upgrade and we are nowhere responsible for any claims. This is just a tried and tested genuine way to upgrade to Jellybean only for Micromax Canvas 2 A110 users. Software release notes (from Micromax ftp site): 1. Operating system is upgraded from ICS to Jelly bean. 2. M! Store is removed. 3. New wallpapers are integrated. 4. Software is backward compatible with old TP available (BYD Make). Here is what you can do by yourself and it is simple too. First of all take a complete backup of your data, you can use the following tools from the play.google.com 1. App Backup & Restore: to backup all your apps as apk files which will store them on mnt\sdcard2\ app_backup_restore 2. G Cloud Backup from GENIE9: It c...

Aurangabad - II: Ajanta - Paintings of Cave 16 & 17

Aurangabad - II: Ajanta - Paintings of Cave 16, 17 Stunning paintings on the verandah ceiling of Cave 17 Cave 15: Mahayana Buddhist cave standing without pillars, this is currently used as a shop. Cave 15 Cave 16: According to an inscription found here, the excavation of this cave was caused by Varahadeva, the minister of Vakataka king Harishena (circa A.D. 475-500). The cave (19.5 X 22.25 X 4.6 m) which is a monastery consists of a central hall supported by 20 pillars, surrounded by 14 cells on three sides, vestibule and a sanctum for Buddha image.  path to cave 16 sculpture at cave 16 The important painted themes depicted are the conversion of Nanda; death of princess, Miracle of Sravasti; Maya’s dream; and certain incidents from the life of Buddha. The Jataka stories depicted are Hasti, Maha-ummagga, Maha-sutasoma. Painted inscriptions can also be noted inside the caves. Leftover paintings at cave 16 Cave 17: This cave is famous for i...